The Ellie Caulkins Opera House
- 29 Mar
- 01 2020
SPOTLIGHT ON TRAGEDY
Music and libretto by Ruggero Leoncavallo
Premiered May 21, 1892, Teatro Dal Verme (Milan, Italy)
The public adores Canio’s clowning—but they’re about to witness the shocking consequences of his rage. Art imitates life (and vice versa) in this opera about the turbulent relationships within a traveling theater troupe. This production of Pagliacci marks Opera Colorado’s expansion from two to three fully staged productions at the Ellie Caulkins Opera House! Tickets to these winter performances are available now as an optional add-on to new and renewing subscribers only.
February 27, 29, March 1 | 2020
The Ellie Caulkins Opera House at Denver Performing Arts Complex
Performed in Italian, with English and Spanish subtitles at every seat
Estimated Length: 100 minutes, including one 25-minute intermission
Sets and costumes from Utah Opera
PAGLIACCI IS SPONSORED BY:
Richard King Brown
On Sale Now
Pagliacci is available now as an add-on to two-opera subscriptions featuring The Barber of Seville (November 2019) and Tosca (May 2020). Individual tickets to go on sale this summer, at a date to be announced later.
Tenor John Pickle quickly has established himself as a strong tenor, most recently for his portrayals of Erik in Der fliegende Holländer, a role he débuted with Los Angeles Opera. Of a performance as the jilted hunter with Lyric Opera of Kansas City, The Kansas City Star raved, “Pickle’s emotionally wrought characterization drove this [performance] even harder home than usual.” In recent seasons, Pickle also enjoyed performances as Erik with Mobile Opera, Utah Festival Opera, and Michigan Opera Theatre. This season, Pickle performs Pinkerton in Madama Butterfly with Pacific Symphony, sings Don José in Carmen with Opera Louisiane, and performs as a soloist in Eugene Suchon’s Psalm of the Carpathian Land with Sonomento and the Kenwood Symphony, in Kodaly’s Te Deum with Oregon Music Festival, and in Beethoven’s Symphony No. 9 with Dayton Opera and Springfield Symphony.
Opera Colorado debut
Celebrated soprano Cecilia Violetta López has been named one of opera’s “25 Rising Stars” by Opera News. She has received accolades for her signature role of Violetta in La Traviata, which she has performed countless times throughout North America. In the 2018-19 season, López performs the role of Maria in a concert production of West Side Story with Opera Idaho, Violetta in La Traviata with Minnesota Opera, Adina in L’elisir d’amore with Virginia Opera and Opera Las Vegas, and Marguerite in Faust with Opera Omaha. Other concert engagements include a performance for the opening of the Idaho State Museum and performing as a soloist in Madison Symphony’s Christmas Concerts. Last season’s highlights include multiple role debuts, including Rosina in The Barber of Seville, the Countess in The Marriage of Figaro, Hanna Glawari in The Merry Widow, Lucy in Fellow Travelers, and Rosalba in Florencia en el Amazonas.
Called “one of the most versatile singing artists performing today” (Bachtrack), Will Liverman is quickly gaining a reputation for his compelling performances, while making significant debuts at opera houses across the world. He is a 2019 Sphinx Medal of Excellence recipient, which recognizes extraordinary emerging classical artists of color who demonstrate artistic excellence, outstanding work ethic, and ongoing commitment to leadership.
In the 2018-19 season, Liverman makes his Metropolitan Opera debut as Malcolm Fleet in Nico Muhly’s Marnie. Additionally, he appears with the Prototype Festival as the Sorcerer in Mila, Great Sorcerer, Tulsa Opera as The Pilot in The Little Prince, with Opera Philadelphia and Dallas Opera as Schaunard in La bohème, and with Santa Fe Opera as the Foreman at the Mill in Jenůfa and Schaunard in La bohème.
Opera Colorado debut
Baritone Levi Hernandez has joined the rosters of leading opera companies including the Metropolitan Opera, San Francisco Opera, and Houston Grand Opera. Recent highlights include his debut with Opera Colorado as Marcello in La bohème; Inspector Kildare in Elizabeth Cree with Chicago Opera Theater; his return to Opera Theatre of St. Louis as Music Master in Ariadne auf Naxos and Pa Joad in The Grapes of Wrath; Alvaro in Florencia en el Amazonas with Arizona Opera, San Diego Opera, and Madison Opera; Sonora in La fanciulla del West with Opera Omaha; Guglielmo in Puccini’s Le Villi with the Spoleto Festival, USA; and his European debut with Komische Oper Berlin’s Pique Dame as Tomski. The 2018-2019 season brought Rambaldo in La rondine with Minnesota Opera; Rabbi Lampert in Enemies, A Love Story with Kentucky Opera; Sharpless with Virginia Opera, and Pa Joad in The Grapes of Wrath with Michigan Opera Theatre.
This season, American tenor Jonathan Johnson makes his debut in the title role of Candide with the Seoul Philharmonic Orchestra and Utah Symphony Orchestra; returns to Lyric Opera of Chicago as Lurcanio in Ariodante; and will appear as the tenor soloist in Messiah with Kansas City Symphony Orchestra.
A graduate of the Patrick G. & Shirley W. Ryan Opera Center, the Lyric Opera of Chicago’s professional artist-development program, he appeared in the house’s main productions of Les Troyens, Lucia di Lammermoor, The Merry Widow, Der Rosenkavalier, Capriccio, The Magic Victrola and Mieczyslaw Weinberg’s Holocaust opera The Passenger. Other recent engagements have included his debut at Canadian Opera Company in a production of Anna Bolena, Frederic in The Pirates of Penzance and Lensky in Eugene Onegin at the Lyric Opera of Kansas City, Fenton in Falstaff at San Diego Opera, and Lindoro in L’italiana in Algeri at the Portland Opera.
Opera Colorado debut
Appointed in 2015 as Opera Colorado’s first-ever music director, Ari Pelto’s “breathtaking wizardry in the pit” (The Denver Post) has been widely celebrated, with Pelto in demand at opera houses and concert halls throughout the United States. At the age of 24, Pelto was appointed Assistant Conductor at the Spoleto Festival and he has since gone on to conduct worldwide. International engagements include performances with Bochumer Philharmoniker and opera productions at New National Theatre of Tokyo and the Teatro Nacional Sucre in Quito, Ecuador. In 2004 he made his highly-praised debut with New York City Opera, conducting La Traviata, after which he became a regular, returning for productions of Madama Butterfly, La Bohème, and Carmen. Recent successes include Eugene Onegin at Lyric Opera of Kansas City, Lucia de Lammermoor at Virginia Opera, and La Voix Humaine at Chicago Opera Theater. Here in Denver, he has led many acclaimed performances; this season, in addition to having conducted La Traviata, Pelto conducts Mozart’s The Marriage of Figaro in May 2019.
David Lefkowich is an accomplished stage director, choreographer, and fight choreographer and has enjoyed success with different companies including the Metropolitan Opera, Teatre alla Scala, San Francisco Opera, New York City Opera, Minnesota Opera, and Glimmerglass Opera.
Directing credits include Don Giovanni at L’Opéra de Montréal, Don Giovanni, Idomeneo, Le Nozze di Figaro and L’Histoire du Soldat at the Ravinia Music Festival with the Chicago Symphony Orchestra and Maestro James Conlon conducting. Lefkowich also directed and choreographed L’Histoire du Soldat at the Juilliard School, with Maestro Conlon. He made his European debut directing Le Portrait de Manon at the Gran Teatre Liceu in Barcelona, Spain and followed with The Rake’s Progress at La Monnaie in Brussels, Belgium. Other credits include directing and choreographing new productions of La Traviata (Austin Opera, Opera Birmingham, San Francisco Opera, Lake George Opera), Carmen (Fort Worth Opera, Anchorage Opera), Lucia de Lammermoor (Eugene Opera), Simon Boccanegra (Kentucky Opera), La Bohème, La fille du Regiment and Acis and Galatea (Madison Opera), Salome (Minnesota Opera), Roméo et Juliette (Florida Grand Opera, Minnesota Opera, Virginia Opera, Opera Tampa, Seagle Music Colony), Tosca at Boston Lyric Opera, Cosi Fan Tutte (Opera Saratoga), Le Portrait de Manon (Glimmerglass Opera), and Il Trovatore (New Orleans Opera, Fort Worth Opera). He was thrilled to fight direct the world premieres of Appomattox (Philip Glass) at San Francisco Opera, and Miss Lonelyhearts at the Juilliard Opera Center, La fanciulla del west at the New York City Opera and the New York off-Broadway run of A Clockwork Orange.
Opera Colorado debut