Revenge Is a Fool’s Game

Stephen Powell enters his fourth decade as a leading baritone in opera companies and orchestras around the globe. With USA performances in San Diego, Detroit, New York, Boston, Los Angeles, Houston, Chicago, St. Louis, Seattle, Cleveland, Nashville, Dallas, Kansas City, Atlanta, Philadelphia, San Francisco, Baltimore, Washington DC, Minneapolis, Miami, as well as international credits in Sao Paulo, Rio de Janeiro and Belo Horizonte, Brazil; Wexford, Ireland; Amsterdam, Paris, Singapore, Zurich, London, Hong Kong, Montreal, Toronto, Rome, and Leipzig, Mr. Powell maintains a busy performance schedule.
He has been a member of the voice faculty at Mannes School of Music in The New School in New York City for the past six years, teaches privately out of his home outside of Philadelphia, and is a recurring guest instructor at the Potomac Vocal Institute in Washington, DC. He is also in demand for Master Classes on college campuses and young artist programs around the country.​ ​ In addition to Jonathan Leshnoff’s ​Third Symphony, ​ he will appear on two other new releases in 2020; his first solo CD, ​American Composers At Play ​ (Acis), and Odyssey Opera’s world premiere recording of Norman Dello Joio’s ​The Trial at Rouen​ (BMOPsound).
Mr. Powell earned his Bachelor of Music degree in Theory and Composition (piano emphasis) from Northwestern University, his Master of Music and Certificate in Performance from DePaul University in Vocal Performance, and spent two years as a young artist in the Lyric Opera of Chicago’s apprentice program. He is a member of NATS, AFTRA, AGMA and NARAS.
Mr. Powell was born and raised in West Chester, PA, and currently resides near his hometown in beautiful Chester County with his wife, soprano Barbara Shirvis, and their two sons, Benjamin and Zachary, both of whom are pursuing careers as singers and jazz musicians.
www.stephenpowell.us

Coloratura soprano Sharleen Joynt has been praised for her “silvery, sparkling, substantial and resonant soprano” (Die Deutsche Bühne), her “scintillating high range, reminiscent of the most beautiful moments of Mady Mesplé” (Opernwelt), and “an artistic command that leaves the listener breathless” (Deutschland Radio). She will perform the role of Gilda in Rigoletto with the Florida Grand Opera in the spring of 2022. Recently, Sharleen reprised the role of the Controller Jonathan Dove’s Flight for Seattle Opera, which was filmed and released for streaming in April of 2021. Early in the 2019-20 season, she made a role and company début as Gilda in Rigoletto with Edmonton Opera. Prior engagements include performing the role of Winnie in Lembit Beecher’s Sky on Swings, a new opera about Alzheimer’s starring Frederica von Stade with Opera Philadelphia, and Musetta in La Bohème with Vancouver Opera and Pacific Opera Victoria. She also sang Glière’s Concerto for Coloratura, Op. 82 with the Guelph Symphony, performed as the soprano soloist in Handel’s Messiah with the Charleston Symphony, and as Cunegonde in Candide with the Ravinia Music Festival. She graduated from Mannes College of Music in New York with her Master’s in Vocal Performance and made her Carnegie Hall debut singing the soprano solo in Schubert’s Mass in G. She has been a prizewinner in the Liederkranz Foundation Competition, the George London Foundation Competition, the Young Concert Artists International Auditions, the Licia-Albanese Foundation Competition, the Canadian Music Competition’s International Stepping Stone, and the Palm Beach Opera Vocal Competition.

American tenor Matthew White, whom the New York Classical Review said had a “distinctive tenor [with a] dark and powerful lyric sound,” recently made critically acclaimed debuts as Roméo in Gounod’s Roméo et Juiliette with Cincinnati Opera, the Duke in Rigoletto with Edmonton Opera, and Pinkerton in Puccini’s Madama Butterfly with the Princeton Festival. In the 2021-2022 season, Mr. White joins Michigan Opera Theatre as Rodolfo in Yuval Sharon’s new production of La bohème, told in reverse; the production will later play at the Spoleto Festival USA. He also sang Don José in Carmen with Arizona Opera, Lancelot in Chausson’s Le roi Arthus with Bard SummerScape, and will play Frederic in The Pirates of Penzance with Cincinnati Opera in the summer of 2022. Previous engagements include Pinkerton in Madam Butterfly with Tulsa Opera, Rodolfo in La bohème with Opera Naples, and the tenor soloist in Handel’s Messiah with the Florida Orchestra. He also enjoyed touring with “The Bad Boys of Opera” at various venues. Mr. White was selected to compete in the 2019 Operalia Competition in Prague. He was awarded the Grand Prize of the Gerda Lissner International Vocal Competition, first place in the Deborah Voigt International Vocal Competition, second place in the Metropolitan Opera Mid-Atlantic region, the Grand Prize in the Mario Lanza Vocal Competition, an Encouragement Award from the George London Foundation, and is the recipient of the Alfonso Cavaliere Award. He has participated in the training programs of Bel Canto at Caramoor, PORTopera, and Seagle Music Colony.

French-American bass Christian Zaremba, hailed for “stealing the evening” (The Washington Post) and being “ideally cast as the assassin Sparafucile, emerging from the shadows with his seething bass-baritone,” is equally at home under the lights of an operatic drama as on a concert stage. In the 2021-2022 season, Mr. Zaremba made his role debut in the title role of Le nozze di Figaro with Austin Opera and his company debut with L’Opéra de Montréal as Sarastro in Die Zauberflöte. In Europe, he sang Sarastro with the Théâtre du Capitole de Toulouse and performed Verdi’s Messa da Requiem with the Sacramento Choral Society and Orchestra. Other previous engagements include as Lesbo in an HD Broadcast of Sir David McVicar’s Agrippina with the Metropolitan Opera; Colline in La bohème with Lyric Opera of Kansas City, Portland Opera and Opera Omaha; French General in Silent Night at Austin Opera, Nourabad in Les pêcheurs des perles at Lyric Opera of Kansas City, Sparafucile in Rigoletto at Opera Theatre of St. Louis; The King of Egypt in Aïda with the National Symphony Orchestra; Collatinus in The Rape of Lucretia, Passagallo in L’Opera Seria, and Dr. Bartolo in Le nozze di Figaro with Wolf Trap Opera; Sarastro and Ashby in La fanciulla del West with Minnesota Opera; and the bass soloist in staged productions of David Lang’s The Little Match Girl Passion with the Glimmerglass Festival and Portland Opera.

American mezzo-soprano Sandra Piques Eddy is a former New England Regional Winner of the 2000 Metropolitan Opera National Council Auditions who made her Metropolitan Opera debut in 2001. Her roles there include Cherubino in Le Nozze di Figaro, Lola in Cavalleria rusticana, Zulma in L’italiana in Algeri, Rosette in Manon, Mercedes in Carmen, Third Handmaiden in Sly, Countess Ceprano in Rigoletto, Third Naked Virgin in Moses und Aron, Flower Maiden in Parsifal, Dragonfly in L’Enfant et les sortileges, and Olga in The Merry Widow. Her long association with The Met continued with more recently roles as she sung Fiona in Nico Muhly’s Two Boys, the Novice and Abbess in Suor Angelica, and covered the roles of Sycorax in The Enchanted Island, The Pilgrim in L’amour de Loin, Dorabella in Così fan tutte, and Maddalena in Rigoletto. Eddy returns to Opera Colorado after her role debut as Meg Page in Falstaff in 2018. Other recent successes include role debuts such as, the title role in Orfeo ed Euridice at Portland Opera, Suzuki in Madama Butterfly at Inland Northwest Opera, Paula in Florencia en al Amazonas at Pittsburgh Opera, Adalgisa in Norma at Boston Lyric Opera, and Mistress Revels in Prince of Players at Florentine Opera.

Appointed in 2015 as Opera Colorado’s first-ever music director, Ari Pelto’s “breathtaking wizardry in the pit” (The Denver Post) has been widely celebrated, with Pelto in demand at opera houses and concert halls throughout the United States. At the age of 24, Pelto was appointed Assistant Conductor at the Spoleto Festival and he has since gone on to conduct worldwide. International engagements include performances with Bochumer Philharmoniker and opera productions at New National Theatre of Tokyo and the Teatro Nacional Sucre in Quito, Ecuador. In 2004 he made his highly-praised debut with New York City Opera, conducting La Traviata, after which he became a regular, returning for productions of Madama Butterfly, La bohème, and Carmen. Recent successes include Eugene Onegin at Lyric Opera of Kansas City, Lucia di Lammermoor at Virginia Opera, and La Voix Humaine at Chicago Opera Theater.

Iranian pianist and conductor, Sahar Nouri, returns to Opera Colorado for a fourth season, serving as the company’s chorus master, assistant conductor, and pianist coach. Ms. Nouri is the newly appointed music director of the Lamont Opera Theatre at Denver University. While being based in Denver, she continues to serve as guest coach/faculty with various organizations including San Francisco Opera, San Francisco Conservatory of Music, Opera North Carolina, Opera Steamboat and more.

Previously, Ms. Nouri has been a member of the music staff at Houston Grand Opera, Dallas Opera, Glimmerglass Festival, Utah Opera, Aspen Opera Center, Opera Parallèle, and Opera in the Heights. Her repertoire includes numerous classic operas as well as many world premieres such as: Prince of Players (Carlisle Floyd), O Columbia! (Gregory Spears), Steal a Pencil for Me (Gerald Cohen), and Today It Rains (Laura Kaminsky). A multi-lingual, Nouri has done studies in the Czech Republic, Italy, and Austria, and is frequently in demand as a language coach and recitalist.

Christopher Mattaliano has directed productions at the Metropolitan Opera of New York, New York City Opera, San Francisco Opera, Washington National Opera, the Canadian Opera Company, Opera Theatre of St. Louis, Minnesota Opera, Dallas Opera, Wolf Trap Opera, and Michigan Opera Theater, among many others.  He has also worked internationally at L’Opera de Nice, L’Opera de Montreal, Spoleto’s Festival dei Due Mondi, Norwegian National Opera and New National Theatre of Japan. 

A dual citizen of Italy and the United States, Mr Mattaliano has enjoyed a long career in the US as General Director at Portland Opera and Artistic Director at Pine Mountain Music Festival, and was a member of Opera America’s Board of Directors for many years. He is a teacher of renown, with credits at Juilliard School, Manhattan School of Music, Yale University, Princeton University, the Metropolitan Opera Young Artist Development Program and Mannes College of Music.