Stage Director Alison Moritz’s recent productions have been lauded as “about as gorgeous and accessible as any opera anywhere” (The Commercial Appeal), and her work has been praised for its “incredible economy of resources, lean production design, and eye for jest and banter” by The Orlando Examiner. 

A “rising young star on the contemporary American opera scene” (89.5 Tulsa), Ms. Moritz’s diverse projects for 2017-18 included the world premiere of Missy Mazzoli and Royce Vavrek’s newest opera Proving Up (Washington National Opera, AOI), as well as new productions of Orpheus in the Underworld (New Orleans Opera), Die Entführung aus dem Serail (Madison Opera), Trouble in Tahiti (Opera Santa Barbara), and a genre-bending triple bill of rarities for Bard Conservatory (Pulcinella, Full Moon in March, and Svadba). 

This season, Ms. Moritz also directs a new staging of Madama Butterfly (Syracuse Opera), collaborates with IlluminArts to profile artist Ana Mendieta, joins the Santa Fe Opera directing staff, and continues ongoing collaborations with the Resonant Bodies Festival and The Knights.