Martin Bakari Tenor


Praised by Opera News as a “vocally charismatic” performer with a “golden tenor”, Martin Bakari continues to distinguish himself as a dynamic artist in a wide array of musical and theatrical genres. A 2018 George London Competition award winner, Mr. Bakari’s 2021-22 season includes the tenor soloist in Carmina Burana at Carnegie Hall with the Cecilia Chorus of New York, Prince Claus in Mark Adamo’s Becoming Santa Claus with Chicago Opera Theater, Count Almaviva in The Barber of Seville with Intermountain Opera Bozeman, Sportin’ Life in Porgy & Bess at Nashville Opera (COVID19), Goro in Madama Butterfly at Dallas Opera, a United Kingdom recital tour with Mirror Visions Ensemble, Don Basilio in Le nozze di Figaro at Seattle Opera, and The Cartography Project with the Kennedy Center and Washington National Opera. He also joins the Metropolitan Opera roster covering Mingo in Porgy & Bess. Mr. Bakari’s 2022-23 season includes Charlie Parker in Yardbird at New Orleans Opera and Dayton Opera, Pong in Turandot at Opera Colorado, and a recital at Seattle’s Benaroya Hall.

Other recent engagements include Charlie Parker in Yardbird at Pittsburgh Opera, Atlanta Opera, and Arizona Opera, Ferrando in Cosí fan tutte at Syracuse Opera, Triquet in Eugene Onegin at Seattle Opera, Wynton Marsalis’ Abyssinian Mass with Mr. Marsalis and the Jazz at Lincoln Center Orchestra, Peter the Honeyman in Porgy & Bess at Seattle Opera and Fort Worth Opera, Mingo in Porgy & Bess at Lyric Opera Kansas City (COVID19) and Atlanta Opera, Tamino in The Magic Flute at Opéra Louisiane, David in John Adams’ I was looking at the ceiling and then I saw the sky at the Cincinnati May Festival (COVID19), Beppe in a virtual production of Pagliacci with Raylynmor Opera, Philip Glass’ In the Penal Colony and a double bill of David Lang’s The Difficulty of Crossing a Field and The Little Match Girl Passion at Portland Opera, La traviata and Le nozze di Figaro at Cincinnati Opera, The Summer King at Pittsburgh Opera and Michigan Opera Theatre, Murasaki’s Moon and Morning Star with On Site Opera, The Long Walk at Utah Opera and Pittsburgh Opera, The Source with LA Opera and Beth Morrison Projects, Messiah with Symphoria, Ellen Reid’s dreams of the new world with PROTOTYPE Festival and Trinity Wall Street, and a Gershwin concert with Brooklyn Art Song Society. Mr. Bakari also premiered and recorded Grigory Smirnov’s song cycle Dowson Songs (Naxos Records) which was featured by Opera News as a “Critic’s Choice” recording.

Since 2016, Mr. Bakari has joined NY Harlem Productions for tours of Porgy & Bess as both Sportin’ Life and Mingo, which have marked his German debuts at Semperoper Dresden, Staatsoper Hamburg, Deutsches Theater München, Alte Oper Frankfurt, and the Kölner Philharmonie, his Israeli debuts in Haifa and Tel Aviv, and his Italian debut at Bari’s Teatro Petruzzelli.

As an Emerging Artist with Virginia Opera from 2014 to 2016, Mr. Bakari sang in productions of HMS Pinafore, Salome, Orpheus in the Underworld, La bohème, Roméo et Juliette, and Der fliegende Holländer. Other 2016 performances included Roméo et Juliette at Opera Carolina, Carmina Burana with the New Hampshire Philharmonic, Porgy & Bess with Opera Noire of NY, and Le nozze di Figaro, Daniel Catán’s Il postino, and Philip Glass’ The Witches of Venice at Opera Saratoga.

Other notable new music credits include the leading tenor roles of Wissam in Tobin Stokes’ Fallujah at the Kennedy Center, Hazel Motes in the premiere of Anthony Gatto’s Wise Blood with Walker Art Center (New Focus Recordings), Marcellus in James Dashow’s Archimedes (Neuma Records), and Lorenzo in William Bolcom’s Lucrezia, Grivet in Tobias Picker’s Thérèse Raquin, Katz in Stephen Paulus’ The Postman Always Rings Twice, and a national tour of Wynton Marsalis’ Abyssinian Mass (Blue Engine Records/Sony).

Chosen by James Levine to sing in a Tanglewood production of Ariadne auf Naxos, Mr. Bakari spent two summers as a Tanglewood Fellow during which he also sang John Harbison’s Full Moon in March and Milhaud’s L’Enlèvement d’Europe and L’Abandon d’Ariane directed by Mark Morris. Of his performance in Full Moon in March, The New York Times wrote, “Bakari mastered completely the high-tension and occasionally melodic vocal writing”.

In addition to the George London Competition, Mr. Bakari has received major awards from the Palm Beach Opera Vocal Competition, Orpheus Vocal Competition, Tanglewood, the Juilliard School, and Boston University. He has since been engaged by Palm Beach Opera and has also appeared with Madison Opera, Opera North, Eugene Opera, Opera Ebony, Little Opera Theatre of NY, Pine Mountain Music Festival, and the American Opera Project.

Mr. Bakari is an alumnus of the master’s degree program at Juilliard, the B.M. and Opera Institute programs at Boston University, and the study-abroad program at London’s Royal College of Music. In addition to the numerous opera and musical theatre roles he performed while in Boston, he was an active concert soloist with performances including Elijah at Symphony Hall and a solo concert of Italian arias with the Salem Philharmonic Orchestra.