The epic tale of Samson and Delilah emerges from the pages of its biblical origins to an opulent spectacle in Saint-Saëns’s opera. This indulgent display of stunning visuals and dance includes well-known arias such as “Mon cœur s’ouvre à...
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Imagine you are sitting at your local bar and a man enters, dressed like a pirate from the eighteenth century. How would you react? In Wagner’s The Flying Dutchman, this mysterious stranger is met with suspicion by most. Luckily,...
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Don Giovanni takes the legendary character of Don Juan and sets his escapades to Mozart’s sweeping music. This serial womanizer, along with his trusted servant Leporello, gallivants around Spain attempting to seduce as many women as possible. While he...
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By: Betsy Schwarm and Angelica DiIorio We close our 40th Anniversary Season with Puccini’s larger-than-life fantastical drama, Turandot, from May 6 to 14. This opera features some of the most gorgeous arias in the repertoire, including “Nessun dorma.”Before you head...
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By: Bethany Wood and Angelica DiIorio Korngold’s early twentieth-century masterpiece Die tote Stadt (The Dead City) may not be as familiar as some of the other operas in our 40th Anniversary Season, but it will quickly become one of...
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By Angelica DiIorio In Korngold’s Die tote Stadt (The Dead City), we follow Paul, a painter who is grieving the loss of his wife Marie. Paul’s love for Marie is strong, but it leaves him straddling the world of...
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By: Jennifer Colgan Some of the best-known opera arias have made their way into movies, commercials, video games, and more, hundreds of years after the composer set their pen to paper. Have you ever wondered what causes some opera...
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By: Suzanne Whitney & Bethany Wood The 2022-23 Season marks four decades of songs and stories at Opera Colorado. We are kicking off our 40th Anniversary Season with an Italian classic! Rigoletto is one of the archetypal operas for a...
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By: Betsy Schwarm In 1888, Pietro Mascagni (1863 – 1945) heard of a competition for one-act operas. With four complete operas to his name, the Italian composer was on the verge of submitting one excerpted act of his historical...
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By: Suzanne Whitney & Betsy Schwarm As the American composer Paul Moravec says, “opera is about three things: love, death, and power,” and that could not be more true for Mascagni’s Cavalleria rusticana. This one-act opera may only be seventy-five...
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