Jul20

Opera Innovators: Cecilia Violetta López

By: Suzanne Whitney Throughout opera’s history, composers, librettists, directors, and artists of all kinds have contributed to this ever-evolving art form. Despite the public perception of opera being a bit stodgy, today’s operatic artists are trying out new and...

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May12

Spotlight on the Opera Colorado Orchestra

By: Suzanne Whitney Over the past year, we’ve missed the entire Opera Colorado family. This includes our staff, visiting artists, crew, production team, and of course, the members of our very own Opera Colorado Orchestra!  We are so proud...

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Apr28

Director’s Commentary with David Lefkowich

By: David Lefkowich When Greg got in touch with me about this project, I was so overwhelmed. It had been months since I’d worked on something creative and artistic and satisfying. I was so excited—it wasn’t just an opportunity...

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Apr22

Q & A with Catherine Cook, Mezzo-Soprano

By: Suzanne Whitney Mezzo-soprano Catherine Cook is the star of the one-woman extravaganza April in Paris. We are so lucky to have such a captivating performer at the helm of our newest digital performance. Catherine has performed a wide...

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Mar3

About The Promise of Living

By: Laquita Mitchell In September 2020, Greg Carpenter sent me an email about Opera Colorado’s new series, Opera Colorado Amplified. He invited me to Denver to create a program, allowing me to choose the content and other artists. I...

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Feb23

Opera Innovators: Nmon Ford

By: Suzanne Whitney Throughout opera’s history composers, librettists, directors, and artists of all kinds have contributed to this ever-evolving art form. Despite the public perception of opera being a bit stodgy, today’s operatic artists are trying out new and...

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Nov2

Steven Mark Kohn’s The Trial of Susan B. Anthony

By: Suzanne Whitney On October 26, 2020, ADA Artist Management, Austin Opera, Berkshire Opera Festival, Minnesota Opera, Opera Colorado, and San Diego Opera presented the digital world premiere of The Trial of Susan B. Anthony by Steven Mark Kohn. This...

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