By: Bethany Wood and Angelica DiIorio Meet the Hollywood score composer and incredible talent responsible for our winter production of Die tote Stadt (The Dead City): Erich Korngold. Korngold composed the opera in 1920 and worked on the libretto...
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By: Bethany Wood and Angelica DiIorio Korngold’s early twentieth-century masterpiece Die tote Stadt (The Dead City) may not be as familiar as some of the other operas in our 40th Anniversary Season, but it will quickly become one of...
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By: Angelica DiIorio and Bethany Wood Art and literature can be very provocative. The arts can challenge people to look at the world around them in new ways and ask questions. While this very trait is what makes art...
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By: Bethany Wood The modern American librettist Mark Campbell likens the role of an opera librettist to an architect. A librettist uses words to create the foundation and structure upon which the composer creates a masterpiece. Campbell says, “A...
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By: Bethany Wood “I adored and I adore this art; and when I am alone and am wrestling with my notes, then my heart pounds, tears stream from my eyes, and the emotions and pleasures are beyond description.” —...
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By: Suzanne Whitney & Bethany Wood The 2022-23 Season marks four decades of songs and stories at Opera Colorado. We are kicking off our 40th Anniversary Season with an Italian classic! Rigoletto is one of the archetypal operas for a...
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By: Bethany Wood As Jeremy Johnson, dramaturg for Houston Grand Opera explains, “Carmen has always been called a ‘g*psy,’ an exonym for the Romani people that has long been used as a pejorative slur, often to justify oppressive public...
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