Mar14

Samson and Delilah 101: Program Notes

There is a lot of history and iconic imagery that goes hand in hand with Samson and Delilah. Learn more about this biblical story’s transition to an opera featuring some of the most lush and passionate music in the...

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Jan18

The Flying Dutchman 101: Program Notes

By: Betsy Schwarm Richard Wagner was a master of both music and story, which you will see well-reflected in his work The Flying Dutchman. To learn the full story of the opera, check out The Flying Dutchman 101: Characters...

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Oct5

Don Giovanni 101: Program Notes

Where would opera be without those characters we love to hate? It’s a time-honored role, their detestable qualities neatly counterpointing the likable ones who are the other half of the equation. The womanizing Don Giovanni isn’t a good guy,...

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Apr19

Turandot 101: Program Notes

By: Betsy Schwarm Turandot stands last in the catalog of its composer, Giacomo Puccini (1858 – 1924). Last because he did not live to complete it. He was at work upon the score when health problems developed and were...

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Mar27

Turandot 101—Characters and Plot

By: Betsy Schwarm and Angelica DiIorio We close our 40th Anniversary Season with Puccini’s larger-than-life fantastical drama, Turandot, from May 6 to 14.  This opera features some of the most gorgeous arias in the repertoire, including “Nessun dorma.”Before you head...

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Oct6

Rigoletto 101—Musical Style

By: Betsy Schwarm Many performing arts fans are familiar with the tales of Victor Hugo (1802 – 1885). From Les Miserables to The Hunchback of Notre Dame to Le roi s’amuse (The King’s Diversions), the stories are well-known. If...

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Aug23

Cavalleria rusticana 101—Musical Style

By: Betsy Schwarm In 1888, Pietro Mascagni (1863 – 1945) heard of a competition for one-act operas. With four complete operas to his name, the Italian composer was on the verge of submitting one excerpted act of his historical...

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Feb10

The Shining 101 – The Creation of an Opera

By: Betsy Schwarm Put the iconic image of a leering, sneering Jack Nicholson out of your mind. Set aside those oft-quoted lines: “Here’s Johnny” and “All work and no play make Jack a dull boy.” That’s the film by...

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Jan11

Pagliacci 101. Part 1

By Kelly Maxwell “Imagine those paired theater masks: one laughing and one weeping. It’s a familiar image, one in use since ancient Greece where the masks served to delineate characters in a stage production. In the world of opera,...

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