Jan18

Q&A with Director Chas Rader-Shieber

By: Jennifer Colgan It is not an easy feat to direct an entire opera, much less one that is rarely performed and being built from scratch. However, Chas Rader-Shieber is up to the task for our winter production of...

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Dec28

American Song: Time Program Notes

By: Angelica DiIorio Have you ever looked through old photos and had all the memories rush back to you? For just a second, you have been transported through time back to that exact moment. Time passes for everyone, but...

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Dec19

Die tote Stadt (The Dead City) 101 – Plot

By: Bethany Wood and Angelica DiIorio Korngold’s early twentieth-century masterpiece Die tote Stadt (The Dead City) may not be as familiar as some of the other operas in our 40th Anniversary Season, but it will quickly become one of...

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Dec2

The Music of Die tote Stadt (The Dead City)

By: Jennifer Colgan Paul is a widowed artist who is grieving the death of his wife, Marie. Even the city he lives in—Bruges—haunts him.  Life is turned upside down when Paul meets the bright and passionate Marietta, the mirror...

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Nov3

Q & A with Director Christopher Mattaliano

By: Suzanne Whitney Christopher Mattaliano has worn many hats throughout his career—from stage director, to educator, to artistic director for opera companies and music festivals, to a member of Opera America’s Board of Directors. Throughout all aspects of his...

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Oct25

Rigoletto in Pop Culture

By: Jennifer Colgan Some of the best-known opera arias have made their way into movies, commercials, video games, and more, hundreds of years after the composer set their pen to paper. Have you ever wondered what causes some opera...

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