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The Voice of Opera Colorado

Sep10

La traviata – A Cultural Icon

  Whether you’ve seen La traviata before or not, you may have heard it in movie soundtracks or seen films that are based on the opera. Verdi’s melodies and the story of La traviata have been a part of many well-known...

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Sep3

Get to know our 2025-26 Artists in Residence

Opera Colorado travels to all corners of its home state through touring productions and other educational programs, in addition to the operas on stage at the Ellie Caulkins Opera House. Throughout the season, you might begin to recognize the...

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Jul10

Madama Butterfly 101 – Characters and Plot

  After more than a decade, Puccini’s Madama Butterfly returns to Opera Colorado this spring. The story and music of this magnificent opera have been shattering hearts for over a century.  Learn about the characters and plot below, then see...

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Jun20

La traviata 101 – Characters and Plot

  This fall, experience Verdi’s tragic romance, La traviata. One of the most performed operas in history, La traviata is popular for a reason. Learn about the characters and plot below, then see it live at the Ellie Caulkins...

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Feb12

La bohème 101: Program Notes

La bohème tells a story of friendship, love, and youth, through the tumultuous relationships between Mimì and Rodolfo, and Marcello and Musetta. Learn more about the history and music of this fan-favorite opera in the program notes below. Learn...

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Oct11

Daughter of the Regiment 101: Director’s Notes

Daughter of the Regiment explores themes of sacrifice, masculinity, and community. Chía Patiño, Director for our November production of Daughter of the Regiment, leans into these themes in her interpretation of the light-hearted tale of choosing love over duty. Explore...

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Oct4

Daughter of the Regiment 101: Program Notes

Daughter of the Regiment tells the story of a young woman raised by the Twenty-first French Regiment. When she falls in love with an outsider, new surprises reveal themselves. Learn more about the history, music, and critical reception of Donizetti’s...

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